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	<title>Ashes Poetry &#187; Ashes Poetry 2006-7</title>
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	<description>poetry about Australia v England cricket test matches</description>
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		<title>Watching Bob</title>
		<link>http://www.ashespoetry.net/2009/07/28/watching-bob/</link>
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		<pubDate>Tue, 28 Jul 2009 20:25:08 +0000</pubDate>
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				<category><![CDATA[Edgbaston]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Sydney]]></category>

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		<description><![CDATA[3rd Test Australia v England Sydney Cricket Ground 7,8,10,11 January 1966 (5-day match)
G Boycott b Philpott 84
R W Barber b Hawke 185
Fall of wickets 1:234 (Boycott) &#8230;. England won by an innings and 93 runs

Watching Bob
&#8216;Crikey, were fantastic,
they went everywhere,
smashed all around ground.
I said you can&#8217;t play like that,
this is a test match, of course [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>3rd Test Australia v England Sydney Cricket Ground 7,8,10,11 January 1966 (5-day match)</em></strong></p>
<blockquote><p><em>G Boycott b Philpott 84<br />
R W Barber b Hawke 185</em></p></blockquote>
<p><em><strong>Fall of wickets</strong> 1:234 (Boycott) &#8230;. England won by an innings and 93 runs</em><br />
<strong></strong></p>
<blockquote><p><strong>Watching Bob</strong></p></blockquote>
<blockquote><p>&#8216;Crikey, were fantastic,<br />
they went everywhere,<br />
smashed all around ground.<br />
I said you can&#8217;t play like that,<br />
this is a test match, of course you can&#8217;t play like that,<br />
you&#8217;ll get out before you&#8217;re in and then where will we be?<br />
Only he did, kept playing like that, ball after ball,<br />
over after over, even after I went down wicket an&#8217; told him,<br />
you can&#8217;t play like that, no one can, except he did, ball after ball,<br />
over after over, past lunch, right through to tea, smashed them everywhere<br />
without a glimmer of a chance. Crikey, it were fantastic.</p>
<p>&#8216;Made eighty-four. Couple of edges, sharp, mind, at reasonable rate:<br />
batting at test match level is never easy, specially against Australia<br />
at Sydney. Of course the best place to play quicks is at the bowler&#8217;s end,<br />
I&#8217;ve always said that. Not least when your partner&#8217;s making runs for fun,<br />
less work for thyssen. Had the best view in the ground. It were watching heaven.<br />
Crikey, it were fantastic.&#8217;</p></blockquote>
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		<title>One Day We Will Lose</title>
		<link>http://www.ashespoetry.net/2009/07/08/one-day-we-will-lose-2/</link>
		<comments>http://www.ashespoetry.net/2009/07/08/one-day-we-will-lose-2/#comments</comments>
		<pubDate>Tue, 07 Jul 2009 23:20:13 +0000</pubDate>
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				<category><![CDATA[Ashes Poetry 2006-7]]></category>
		<category><![CDATA[Other Posts]]></category>

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		<description><![CDATA[On the eleventh hour of the eleventh day of the eleventh month we commemorate those lost in two world wars, the first of which was the war to end all wars. Poets write about war. Homer’s Iliad is the story of Troy, the Trojan Horse, Paris, Achilles, and Helen the fairest of them all. Perhaps [...]]]></description>
			<content:encoded><![CDATA[<div>On the eleventh hour of the eleventh day of the eleventh month we commemorate those lost in two world wars, the first of which was the war to end all wars. Poets write about war. Homer’s Iliad is the story of Troy, the Trojan Horse, Paris, Achilles, and Helen the fairest of them all. Perhaps the first and only war to be named after a poet – the Homeric wars. World War One poets fired me to write poetry. Siegfried Sassoon, in particular: Mad Jack, country squire, homosexual and winner of the Military Cross. He fought, to be shell-shocked out, and then went back to the front because, though he loathed the conduct of World War One, Sassoon believed it was his duty to his men. As a poet he is an Archie Jackson to Don Bradman:-</div>
<blockquote><p><strong>The Dug Out</strong></p></blockquote>
<blockquote><p>Why do you lie with your legs ungainly huddled,<br />
And one arm bent across your sullen, cold,<br />
Exhausted face? It hurts my heart to watch you,<br />
Deep-shadow’d from the candle’s guttering gold;<br />
And you wonder why I shake you by the shoulder;<br />
Drowsy, you mumble and sigh and turn your head …..<br />
<em>You are too young to fall asleep for ever;<br />
And when you sleep you remind me of the dead.</em><em> </em></p>
<p>Siegfried Sassoon. St Venant, July 1918</p></blockquote>
<p>It touches me as much as it did then, nearly forty years ago, when I first studied it for O-level. Two years ago I attended the Armistice Remembrance Parade and service in Bakewell.</p>
<blockquote><p><strong>11th November 2004</strong></p>
<p>It’s Sunday morning, just beyond early light,<br />
the first frost sharp throughout, enough<br />
to strip each branch of their legion colours.</p>
<p>The sun shines low, a single clear signal<br />
to head a day of remembrance<br />
as Bakewell readies itself to remember.</p>
<p>The town marks time in its market square;<br />
shops, pubs, cars, ourselves near enough still<br />
as gravestones</p>
<p>till we leave.</p>
<p>Those with most to remember or forget<br />
let us follow, in train, behind the lines.<br />
Young lads in uniform, not quite in</p>
<p>or out of step. Their pudding girls grin<br />
at the parlour door, full lace prinnies<br />
ironed starched white, almost waving them off</p>
<p>lest they forget.</p>
<p>The bugler calls,<br />
so we march, and march; sing and sing.<br />
Commands barked against cold bare skin<br />
wreathed more than breathing a long held silence.</p>
<p>Names read out</p>
<p>Their letters addressed in order of dispatch,<br />
the last post and final delivery<br />
They did not rush to catch.</p>
<p><em>Did it matter if the sun shone<br />
when they went over the top? </em></p></blockquote>
<p>Earlier this year I met with Mark O’Connor, a fine Australian poet who took part in the Sydney Olympics – not running a sub-four minute sonnet, Mark was the Olympic poet, reviving a tradition where the muse was part of the ancient games but lost till 2000. Here is an Australian view of 1914-18.</p>
<blockquote><p><strong>Pozieres Cemetery </strong>(WW1 France)</p>
<p>- Our fathers: did they dream as yabbying boys<br />
on their farms in Deniliquin, Horsham, Scotshead, Yass,<br />
of so deep a subsoil waiting for their bones?<br />
. . . Instead two old men hobble down the rows<br />
dreaming of young men whom they knew; while honour and folly<br />
hold the ground under the gently piddling skies of France.</p>
<p>Written on The Somme, 1977 Mark O’Connor</p></blockquote>
<p>What’s this to do with cricket? Had the French and Germans taken the game at all seriously would it have prevented 1870, 1914-18, 1939-45? Difficult to prove, or disprove.</p>
<p>In all seriousness by the time you read this I’ll probably be wearing a t-shirt inscribed ‘I speak of bats, balls &amp; wickets’ at an Australian Test Match not near you in homage to Virgil&#8217;s kick-off line to his classical epic the Aeneid. It’s a way of telling people who I am and what I’m doing. The uniform of an Ashes poet in residence, in the same way cricketers wear whites, stewards florescent jackets or Tommies&#8217; khaki battledress.</p>
<p><a href="http://photos1.blogger.com/blogger/3867/3750/1600/tshirts.1.jpg"><strong><img style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" src="http://photos1.blogger.com/blogger/3867/3750/400/tshirts.jpg" border="0" alt="" /></strong></a></p>
<div><strong> </strong></div>
<p> <br />
Who do you reckon will win? People ask me as though I might know. Don’t see how. I’m a poet, not a cricket correspondent, yet they do. And more interestingly they say ‘Don’t come back without the Ashes.&#8217; It means a lot to a great deal of people. Probably far more than poetry.</p>
<p>Their Premier’s XI stuffed us in Canberra, watched by Mark O’Connor amongst others. ‘Yes, I was there,’ he said, not needing to say more. Some would say that Howard’s selection for the PM&#8217;s XI is the best thing he’s ever done for the country. Could Graveney and Fletcher do worse than Brown and Blair? I couldn’t possibly comment, but note in the traditional equivalent fixture in England, the Australians play the Duke of Norfolk’s XI at Arundel (don’t ask why it’s Norfolk in Sussex.) Class, gentlemen and players, hearts of old England, play up, play the game. Yeoman stock Kevin Pietersen might reflect on duty and Sassoon to cut out the hook shot, but the signs are England have ferried their half-day international form from India to Australia.</p>
<p>One day we will lose. At least we’re consistent and consistency is everything, like they say about custard.</p>
<p> </p>
<p>I’m not saying Freddie Flintoff and the Barmy Army would’ve finished off the Trojan wars inside three days, nor that injury-struck England on current form could do with Hector, Ajax, Achilles and Agamemnon on their side. More that cricket isn’t war. George Orwell said ‘sport is war without weapons’ perhaps because as Eric Blair he won a scholarship to Eton, with its regime of rugger, cold showers and the Eton Wall game – where the cream of the upper classes run straight into a brick wall. Deuced good practice for going over the top and running straight into a hail of machine gun bullets. You need leaders in those situations.</p>
<p>Jardine went to Eton. If sport is war without weapons, I think war is sport without love. Douglas Jardine led England on their notorious bodyline series, where within the laws of the game England bowled straight at Australian batsmens’ hearts &#8211; literally. Justification came from the same logic as the carnage of the trenches: it lay within the rules of war. Officer and a gentleman, leader of men etc etc but no sense of feeling, not even animosity. World War One and The Ashes were just something to be won.</p>
<p>The abiding image of last year’s series is Flintoff consoling Bret Lee at Edgbaston after losing two runs short of an amazing victory which would’ve all but kept the Ashes with Australia.</p>
<p><a href="http://photos1.blogger.com/blogger/3867/3750/1600/flintoff-lee.jpg"><strong><img style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" src="http://photos1.blogger.com/blogger/3867/3750/320/flintoff-lee.jpg" border="0" alt="" /></strong></a></p>
<div>Sport is war with love because winning isn’t everything.</div>
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		<title>Five-Nil &#8211; Brisbane ~ First Test Poetry</title>
		<link>http://www.ashespoetry.net/2009/07/01/five-nil-brisbane-first-test/</link>
		<comments>http://www.ashespoetry.net/2009/07/01/five-nil-brisbane-first-test/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 00:25:00 +0000</pubDate>
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				<category><![CDATA[Ashes Poetry 2006-7]]></category>
		<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[Courage Of Convictions
Some good, some bad, and some ordinary
people the wrong side of the law to hold
their breath against the creak of deck, rope and
canvas; fixed blank stars slowly alter course
to form a rough southern cross. Realign antipodes
Of lives, destiny and political aspirations.
Now history. Not then. No recompense,
No going back to a dense world of [...]]]></description>
			<content:encoded><![CDATA[<div><strong>Courage Of Convictions</strong></div>
<p>Some good, some bad, and some ordinary<br />
people the wrong side of the law to hold<br />
their breath against the creak of deck, rope and<br />
canvas; fixed blank stars slowly alter course<br />
to form a rough southern cross. Realign antipodes</p>
<p>Of lives, destiny and political aspirations.<br />
Now history. Not then. No recompense,<br />
No going back to a dense world of pre-Dickensian<br />
poverty and country-house cricket, a betting game<br />
played for highish stakes fixed by judge and jury<br />
to add to their amusement. A stay of execution<br />
meant no return till the end of each testing sentence</p>
<p>Whose surf, shore and hinterland are unknown,<br />
prime and aboriginal – not the first southern cross,<br />
secret rivers more muddied and altered by distant secrets.<br />
Imprisoned by nothing but the land’s fresh horizons<br />
how could all survive, endure and flourish?</p>
<p>Today twenty-two flannelled fools replay<br />
Australia, set to court failure<br />
on no other grounds.</p>
<div><em>Kate Grenville’s novel The Secret River, published 2005 about William Thornhill, a convict sent from London to New South Wales less than two hundred years ago.</em></div>
<p><em>‘We’re the right side, we’re the right side, we’re the right side over here.<br />
We’re the left side, we’re the left side, we’re the left side over here.<br />
We’re the middle, we’re the middle, we’re the middle over here.<br />
You’re the convicts, You’re the convicts, you’re the convicts over there.’<br />
Barmy Army Chant 2006-7 Ashes Series</p>
<p></em></p>
<p><strong>Woolloongabba</strong></p>
<p>Woolloongabba they come from far<br />
they come from far to play to play<br />
Woolloongabba Woolloongabba</p>
<p>Waters whirling winds in our hearts<br />
Wind still whirling whirling waters<br />
Whirling fight talk place noisome boys<br />
Warriors outdo warriors outdo out do</p>
<p>place to talk fight die share and drown<br />
warrior-boy lacerated placentas<br />
of fight-talk-hope in whirling waters<br />
Woolloongabba Woolloongabba</p>
<p><em>According to Cricket Australia’s official guide to the Ashes Series, The Gabba, venue of the First Test at Brisbane, derives its name from Woolloongabba, which may mean “whirling waters” or “fight talk place” in the Aboriginal language of Woolloongabba</em></p>
<p><em><strong>The Blacksmith and The Dancer</strong></em><br />
End of Day One Australia 346 for 3 A Flintoff 2 for 42 R T Ponting 137no</p>
<div><em>Down they come, twenty-four hammering blows<br />
Run up against the anvil, crease to crease;<br />
England’s finest, leader of tall strong men<br />
Pounds a flat pitch to make something from nothing.</em></div>
<p><em>Thor’s great maul hurls down from the north<br />
Red-hot ingots which bounce and spit<br />
Off the anvil to thud pain and fury<br />
Even into the cuffed gloves of his keeper<br />
Three pitches distant from the beginning.</p>
<p>Those in the middle dodge hurtling force,<br />
The smell of singed leather beneath noses<br />
Sears their minds long after danger passes<br />
Till an opener edges heat and is gone.</p>
<p>The dancer comes. Small, slick-quick tip-toe feet<br />
A ballet pump or conductor’s baton<br />
In his hands against Thor’s redoubled thunder<br />
Strong enough to break his own braw bones<br />
In full pursuit of forging victories.</p>
<p>The dancer banishes other tradesmen.<br />
No interest but the blacksmith’s anvil,<br />
Each hammerblow a pirouette, paso<br />
Doble, cock a snook at the once red-hot ingot</p>
<p>Dulled with dancer’s taps as worn floors<br />
For clubbing once clubbing has been done.<br />
Sore feet and hours from Hobart unto Accrington,<br />
The dancer and the blacksmith each know the score;<br />
One or the other of them must be broken.<br />
.<br />
The dancer needs the smith to play<br />
As the smith the dancer’s touch<br />
To end the dancer’s say.</p>
<p></em></p>
<p><strong>Glen’s Song</strong><br />
<em>Day Three England 157 all out GD McGrath 6-50</em></p>
<p>Every breath you take<br />
And every move you make<br />
Every small mistake, every risk you take<br />
I’ll be watching you</p>
<p>Every single run<br />
Every sledge when you turn<br />
Every game we play, every ball you stay<br />
I’ll be watching you</p>
<p>Oh, can’t you see<br />
You belong to me?<br />
How my hard heart aches<br />
With every play and miss<br />
Every waft you make<br />
Every edge it takes<br />
Every smile you fake, every aim I take<br />
You’ll be watching me</p>
<p>Since you can’t play you’re lost without a trace<br />
I yell alright, appeal straight in your face<br />
You look askance, but your life you can’t replace<br />
It feels so cold, walking back to your disgrace<br />
Keep on trying, bunny, to touch my accuracy.</p>
<p>Every breath you take<br />
And every move you make<br />
Every small mistake, every risk you take<br />
I’ll be watching you</p>
<p><em>With apologies to The Police ‘Every Breath You Take’</em></p>
<p><strong>The Lap Of The Gods</strong></p>
<p>Andy’s on the blower to his missus in Jakarta<br />
To accelerate the thunder due tomorrow afternoon.<br />
She knows a rain doctor who dries out golf courses<br />
To pilot this bad weather which can’t come too soon.</p>
<p>The Barmy Army take the Gabba with gamps and umbrellas<br />
To make the most of Ricky Ponting batting way past his bedtime.<br />
Queensland and England desperately need precipitation,<br />
State and nation wager all on the imminent arrival of their Cloud Nine.</p>
<p>Of course it doesn’t come on schedule, ignoring devout Christian prayer.<br />
Level Four drought measures squeeze the last drops of moisture from the bone-dry air.<br />
“Conserve natural resources, drink tinnies to piss on those dirty washed-out poms”<br />
Won’t help out-of-town dried-up apple farmers avec ces pommes sans terre.</p>
<p>Maybe a scientific warning of incipient global warming<br />
Could turn Brisbane’s Gabba into a tidal lagoon.<br />
Climatic chronology and geomorphology<br />
Might well lead to underwater cricket all too soon.</p>
<p>Tomorrow it’s onto Adelaide, Mighty Mighty England already one down.<br />
Drought restrictions still enforced; one side or the other about to drown.</p>
<p><em>England 2nd innings 293-5 overnight, still over 300 runs behind.<br />
“Only rain can save Australia now” Barmy Army chant<br />
“All Sunday they prayed in churches in Queensland for rain” ABC producer</em></p>
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		<title>Five-Nil &#8211; Adelaide ~ 2nd Test Poetry</title>
		<link>http://www.ashespoetry.net/2009/07/01/five-nil-adelaide-2nd-test/</link>
		<comments>http://www.ashespoetry.net/2009/07/01/five-nil-adelaide-2nd-test/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 00:23:11 +0000</pubDate>
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				<category><![CDATA[Ashes Poetry 2006-7]]></category>
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		<description><![CDATA[The Adelaide Oval &#8211; 1st December 2006 – end of play England 1st innings 266/3Paul Collingwood
98 not out overnight Adelaide, Second Test Day One.
ct Gilchrist b Clark 206
I shan&#8217;t get out to this man,
It&#8217;s not just I&#8217;m English and he&#8217;s Australian,
I shan&#8217;t get out to this man.
It&#8217;s not just he&#8217;s done me too often before,
(last [...]]]></description>
			<content:encoded><![CDATA[<div><em><strong>The Adelaide Oval</strong> &#8211; 1st December 2006 – end of play England 1st innings 266/3</em><strong>Paul Collingwood</strong><em><br />
98 not out overnight Adelaide, Second Test Day One.<br />
ct Gilchrist b Clark 206</em></p>
<p>I shan&#8217;t get out to this man,<br />
It&#8217;s not just I&#8217;m English and he&#8217;s Australian,<br />
I shan&#8217;t get out to this man.<br />
It&#8217;s not just he&#8217;s done me too often before,<br />
(last match a century in reach, just needing a four)<br />
It&#8217;s hard enough to hit the ball, never mind score,<br />
I shan&#8217;t get out to this man.<br />
Earplug his incessant chatter,<br />
concentrate on being a batter.<br />
But don&#8217;t get too clever, over after over<br />
I shan&#8217;t get out to this man.</p>
<p>Even if I reach fifty or more,<br />
will I ever feel secure?<br />
Australia&#8217;s most venomous creature<br />
spits and coils with every ball,<br />
I shan&#8217;t get out to this man.<br />
Bones soak under a long hot shower,<br />
having defended hour after hour.<br />
The splash of water reechoes the mantra,<br />
I shan&#8217;t get out to this man.</p>
<p><em><strong>Catches Win Matches </strong><br />
</em>Adelaide Day Three – end of play England 551-6 dec Australia 312-5</p>
<div><em></em></div>
<p> </p>
<p><em>I swear I saw it come straight off the bat<br />
A small red dot growing to fill the sky<br />
and ready myself to hold its descent,<br />
feet well apart, steady, hand-eye practiced<br />
co-ordination triggered to make the catch.<br />
Arms above my head, a high-board<br />
diver sure to end the ball&#8217;s spin, tuck<br />
and revolutions with a perfect re-entry<br />
to soft sweatless cushioned pail-like palms. Welcome<br />
a mob of celebration. Mates stare. I dropped it.<br />
I don&#8217;t see how. A safe pair of hands,<br />
maybe I lost it coming out of the stands,<br />
the red and white flags of Saint George<br />
a dragon of distraction that swallowed<br />
opportunity in a fiery display of Engerland.</p>
<p></em></p>
<p>Ponting’s hook was dropped at the boundary when he was his own age, early thirties.<br />
He completed a big century. That miss probably lost England any chance of winning.</p>
<p><strong>Hoggard</strong><br />
<em>Adelaide Day Four – end of play England 551-6 dec Australia 513 England 59-1</em></p>
<p>At times it must be like climbing onto the moors,<br />
dog tugging the lead when mists and rain slip paws.<br />
Hard to see, know where you are,<br />
stumbling into rocks, bogs, uncertain of paths<br />
that could lead to nowhere or circles,<br />
worried you&#8217;ll be out here beyond nightfall.<br />
Whatever you do the elements take their toll,<br />
sap the spirit till it seems easier to give up;<br />
the familiar world twists cruelly strange.<br />
You climb each hill, break its back before<br />
it breaks yours, seven times<br />
for one hundred and nine long runs, dogged<br />
against these hounds you never let off the leash</p>
<p><em>Matthew Hoggard, a qualified vet, loves to take his collie onto the Yorkshire moors.</em></p>
<p><strong>The Sick Team</strong></p>
<p>Adelaide Day Five – Australia won by six wickets</p>
<div><em>Red Rose, thou are sick!<br />
The Indivisible Warne<br />
That beats you in flight<br />
When you bat without gorm</em></div>
<p><em>Has spun out thy draw<br />
Of English joy;<br />
the Green Baggies’ will<br />
Does thy life destroy</p>
<p></em></p>
<p>With apologies to William Blake The Sick Rose</p>
<div><em>O Rose, thou art sick!<br />
The Invisible worm,<br />
That flies in the night,<br />
In the howling storm,</em></div>
<p><em>Has found out thy bed<br />
Of Crimson joy;<br />
And his dark secret love<br />
Does thy life destroy.</p>
<p></em></p>
<p>Blake also wrote, of course, Jerusalem.</p>
<p><strong>The English Disease</strong></p>
<p>Like syphilitic medieval kings, England<br />
suddenly went mad. No apparent cause,<br />
no seeming attempt to stem noble pause<br />
in bedlam&#8217;s frenzy to lose without stand.<br />
Fumbling wickets tumbled from their own hand,<br />
Misery’s drubbing unconceived before<br />
they gouged their own wounds to bone. Running sores<br />
of needless cuts, hooks, pulls and slashes banned<br />
by dressing room: empty-headed retarded<br />
births within teeming middle of crisis<br />
induced by syphilis&#8217;s half-brother, hubris.<br />
The day’s sure draw before all this started:<br />
licentious defeats grow infectious,<br />
chaste play&#8217;s honour fouled by these haughty lechers.</p>
<p><em>Initiated by Greg Baum’s remark on venereal disease and England batsmen the following day in The Sydney Morning Herald</em></p>
<p><em><strong>Return To Understand</strong></em><br />
The Adelaide Oval Wednesday 7th December 2007 – the Day After</p>
<div><em>return to understand<br />
go back to the emptiness of defeat<br />
you might learn something</em></div>
<p><em>seats tipped-up, crowd roar gone<br />
a cockatoo, songbirds call above<br />
drumble of traffic, clang of scaffolders<br />
dismantling temporary stands<br />
you demolished with your batting</p>
<p>A smear of dried ice-cream<br />
stench of spilled beer around the bars<br />
a nasal trail into the arena<br />
its wicket perfect as it always has been</p>
<p>Why have I taken you here?<br />
No flags of Saint George. No<br />
Wigan, Norwich, Cheltenham<br />
and Towcester turned to crumbs<br />
under the Australian sun.<br />
No sign of ourselves.</p>
<p>The scoreboard retells the story<br />
168 for 4, a six wicket victory<br />
they won&#8217;t take down for a while</p>
<p>Taste the simplicity of defeat<br />
ing yourself. Swallow its emptiness.<br />
Stay till you understand<br />
how never to fail yourselves again.</p>
<p></em></p>
<p><strong>Day of The Dead</strong></p>
<p><em>on the occasion of the 8th Baggy Green Dinner, Saturday 2nd December, 2006 Adelaide and in commemoration of the Fourth Test 1929</em></p>
<p>Seven days hard yakka, they rise from the Ashes,<br />
individual heroes all in teams to test their<br />
undivided mettle. Close finish at the close,<br />
seven days hard yakka, still they rise for the occasion.</p>
<p>We worship the memory, the more their breaths are done<br />
short or long in the field, Jackson to Bradman,<br />
White to Hammond, all eleven of each side<br />
split by a dozen runs after seven days hard yakka</p>
<p>in a field near a river watched by many,<br />
attended by empire from a different era,<br />
depression and bodyline still to come,<br />
Adelaide will always welcome its heroes</p>
<p>whose ghostly sprigs clatter down<br />
and up pavilion steps. Some quick, some slow,<br />
some two at a time, some quiet, near funereal,<br />
a tattoo as sure as any scorecard of exploits</p>
<p>to become players of today. You may say<br />
they do not bear compare with yesteryears’<br />
titans, god-bestowed elegance of performance<br />
to mist over the grind of seven days hard yakka.</p>
<p>Turn for confirmation and you shall hear nothing.<br />
Nothing from them, for other matters call<br />
at the end of their days, boots, pads, bats<br />
sweated armoury, undone yet not yet stowed away,</p>
<p>half-abandoned, stranded in an unwashed canvas<br />
of labour against dressing room tiers<br />
bear witness to these invisible spectres<br />
off to share a few cool ones with posterity they created.</p>
<p><em>A Statto’s Note From The Fridaliser<br />
“The highlight of England&#8217;s second innings of 383 was a 262-run partnership for the third wicket between Hammond (177) and Douglas Jardine (98) &#8211; on the least controversial of his two tours of Australia.” Cric-info. Hammond’s 177 was the highest score by any English batsman at Adelaide until Collingwood’s 206</em></div>
<p>If you&#8217;ve not seen it for yourself<br />
think Worcester New Road, the view<br />
across the River Severn, Torrens,<br />
sun catching the water in its safe<br />
hands, cathedral behind, an inspiring<br />
article of sporting faith,<br />
then add some. Disneyland<br />
which folk round here rate England&#8217;s chances<br />
between slim and Buckley&#8217;s</p>
<p>We shall see, shan&#8217;t we?</p>
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		<title>Five Nil &#8211; Perth ~ Third Test Poetry</title>
		<link>http://www.ashespoetry.net/2009/07/01/five-nil-perth-third-test/</link>
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		<pubDate>Wed, 01 Jul 2009 00:20:55 +0000</pubDate>
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		<description><![CDATA[Perth Players

The Demon Panesar
You become yourself as you reach the crease
Gently poised paces, all limbs leaned to slight
Opponents’ fraught intent. Deft, accurate,
no whimsical flight; quick arm at its height
injects lethal charm to bewitch them out.
You need show no mercy until they leave.
5 for 94 Australia’s first innings of 244
 
Desert Island
Left, deserted, undefeated
how might you have [...]]]></description>
			<content:encoded><![CDATA[<div><strong>Perth Players</strong></div>
<div>
<p><em><strong>The Demon Panesar</strong></em></p>
<p>You become yourself as you reach the crease<br />
Gently poised paces, all limbs leaned to slight<br />
Opponents’ fraught intent. Deft, accurate,<br />
no whimsical flight; quick arm at its height<br />
injects lethal charm to bewitch them out.<br />
You need show no mercy until they leave.</p></div>
<div><em>5 for 94 Australia’s first innings of 244</em></div>
<div><strong> </strong></div>
<div><strong>Desert Island</strong></div>
<p>Left, deserted, undefeated<br />
how might you have done more?</p>
<p>Chance your arm, get out sooner<br />
yet not your fault for other’s failures<br />
to heed circumstances as found.</p>
<p>The innings end might seem a rescue<br />
from a desert island you never wanted to leave<br />
but like Robinson Crusoe you too had to depart<br />
having grown accustomed to a place and its ways.</p>
<p><em>Mike Hussey 74 no out, top score of 244</em></p>
<div><em><strong>Silence in Court<br />
</strong><br />
Australian fielders ceaselessly chatter between balls.</em></div>
<div><em>‘Will do, Ricky.’ ‘Test match cricket.’<br />
‘On the money, Warnie.’ ‘Easy, Pigeon.’</em></div>
<div><em>It’s their way. Habitual as galahs<br />
or car horns in the Eternal City,<br />
as much to gull foreigners<br />
as egg patriotism on.</em></div>
<p><em>The driving gavel of Pietersen<br />
sends leather to the benches<br />
and silence in court.</p>
<p> </p>
<p> </p>
<p></em></p>
<p>Kevin Pietersen, 70, top score of 215</p>
<p><strong>The Art of Batsmanship by Matthew Hoggard MBE</strong></p>
<p>1. Play Straight<br />
2. No fancy stuff<br />
3. Hold the stroke<br />
4. Especially if you miss<br />
5. Don’t forget to tell ’em<br />
Sod off</p>
<div><em><strong>Circus Tricks<br />
</strong><br />
A mid-off in the middle of the pool,<br />
he waits for batters to toss a fish:<br />
the lunge, leap, rush and scurry,<br />
somersault, dive, fall, roll and parry,<br />
comes up ball and applause in hand.</em></div>
<div><em>Only batters wonder<br />
if they’ll run out of fish<br />
especially if Symonds,<br />
The Performing Seal,<br />
hauls in a catch</em></div>
<div><em> </em></div>
<p><em> </p>
<p></em></p>
<p><strong>Every Australian</strong></p>
<div>wants to be Matthew Hayden.<br />
Giant stride forward to meet the ball,<br />
great arc of willow becomes a maul<br />
to tonk the poms into the back<br />
of burke, the outback and beyond.<br />
Every Australian<br />
Wants to be Matthew Hayden.</div>
<p><em>Second Innings Hayden hits 92</em>.</p>
<p>Adam Gilchrist<br />
Has often played and missed.<br />
It’s when he connects<br />
That the bowler regrets<br />
ever bowling<br />
into the hurdy-gurdy<br />
whirligig six-hitting<br />
machine.</p>
<p><em>Second dig Gillie hits 102 not out, the second fastest test century ever.</em></p>
<p>Grump, grump, grump I&#8217;m Glen McGrath,<br />
Grump, grump, galumph, galgrumpalumph, I&#8217;m Glen McGrath,<br />
I&#8217;ll bend your ear from here to the dressing room<br />
And back again, over after over till you edge or miss<br />
The point of my delivery.</p>
<p><em><strong>Essex  Shoreline<br />
</strong><br />
Harwich, Frinton, Clacton,<br />
Brightlingsea, West Mersea,<br />
Maldon, Burnham, Southend.<br />
From the scapula of the Stour<br />
to the humerous of the Naze<br />
and the Thames phalanges</em></p>
<div><em>Alistair Cook<br />
gets all Essex over the ball;<br />
its coast the shape of his elbow<br />
stretching across East Anglia.</em></div>
<div><em> </em></div>
<p><em> </p>
<p></em></p>
<p>Essex player Cook scored 116 second time round.</p>
<div><em><strong>Those That Go Against You</strong></em></div>
<div><em>In the cool shadowed privacy<br />
of the dressing room sanctuary,<br />
bats are hurled, windows smashed<br />
with more force, anger and intent<br />
than any maximum smite from the middle.</em></div>
<div><em>It never hit the bat.<br />
Clearly missing the stumps.<br />
The umpire’s finger,<br />
not the acumen of the bowler,<br />
sends you on your way.</em></div>
<p><em>Rage and fear routs the calm certainty<br />
behind all due care and attention<br />
in adjudication summoning<br />
benefit of the doubt<br />
not to give you out.</p>
<p>The quiet ones always seem to receive<br />
the rough edge of the rub of the green,<br />
standing as a suspect at the crease<br />
in a line-up of an identity parade.</p>
<p> </p>
<p> </p>
<p></em></p>
<p>Umpires’ fingers sawed Andrew Strauss’s legs at least twice during the series.<br />
In other words made a mistake in firing him out. He accepts this without demur.<br />
Methinks he protesteth too little.</p>
<p><strong>Captain’s Dilemma<br />
</strong><br />
I need to bat well<br />
bowl well, field well,<br />
take all my catches,<br />
help choose the team,<br />
set fields, raise morale<br />
when we’re down,<br />
enthuse, cajole, console<br />
and kick arse, royally<br />
whenever necessary<br />
and appropriately.</p>
<p>Ensure I do all I can<br />
to ensure we play as a team<br />
where everyone does the best they can<br />
to win, or at least draw.<br />
What on earth have I let myself in for?</p>
<p>A task that Hercules<br />
would leave for others<br />
more knowing of a hero’s<br />
frailty..</p>
<div><em><strong>The English Ashes Hopes Blues<br />
</strong><br />
We don&#8217;t need no Aussie Scoreboard to tell us the Ashes are gone.<br />
We travelled here with the urn inside our hearts,<br />
At Brisbane we didn’t get off to the best of starts,<br />
On the final day the promised rain just didn’t come,<br />
we don&#8217;t need no Aussie Scoreboard to tell us the Ashes are gone.</em></div>
<div><em>Won the toss on a dead flat pitch at Adelaide,<br />
Never mind dropped catches and poor selections<br />
However well Paul Collingwood played<br />
The rest of them threw it away in the second knock,<br />
we don&#8217;t need no Aussie Scoreboard to tell us the Ashes are gone.</em></div>
<div><em>Lost the toss at Perth but bowled them out for 244<br />
Then our turn to bat and we didn’t match their score<br />
Second innings Hussey, Clarke and Gilchrist all got tons<br />
Now to save the Ashes we need to hit 560 runs,<br />
we don&#8217;t need no Aussie Scoreboard to tell us the Ashes are gone.</em></div>
<p><em> </p>
<p> </p>
<p></em></p>
<p><strong>Ode To Contest<br />
</strong><br />
Behind the bowler’s arm, scoreboard obscured,<br />
Cloudy day, rain forecast but unlikely,<br />
England’s prayers rest with God Almighty.<br />
Two tall hopes nearly out before they’ve scored,<br />
Fred survives, a tide of drives floods the boards,<br />
Stupendous risk for six hooked off Brett Lee,<br />
None down at drinks, game on, yet unlikely.<br />
Braced danger-laced half-centuries yield applause<br />
That courts the final strike. Five quick blows<br />
Ends it all. All Australia rejoices;<br />
Reclaims their men who reclaimed the Ashes<br />
Against time and England’s proudest voices<br />
Stilled. Half by half by half each candle’s ghost<br />
Bleakens the dark hearth burnt out by your host.</p>
<div><em><strong>Cricket Australia<br />
</strong><br />
She reads a book in the driver’s seat<br />
of a bright yellow Ford Falcon XR6.<br />
Another down the road inspects cuticles<br />
in a Pontiac Firebird GTO.<br />
There’s a phillipino ready to go<br />
in a 4&#215;4 Nissan Murrango.<br />
Outside the Waca<br />
you can get high<br />
on the air-conned fumes<br />
of all their nail lacquer.</em></div>
<div><em>Flocks of self-preening birds<br />
in their beaus’ muscle cars,<br />
smoothly smoothing feathers<br />
waiting for their sweaty fellas<br />
to come from watching cricket.<br />
- it’s a mate’s thing.</em></div>
<div><em>Do they dare mention<br />
what they watched on television?<br />
Adverts for penile dysfunction<br />
to the blokes they promised<br />
to love, honour and obey?</em></div>
<p><em>Or better just to ride his mean machine<br />
in hope of greater things to come<br />
from their green and golden cockatoo’s coxcomb?</p>
<p>How dare they ask the question,<br />
however well intentioned,<br />
without ruffling their sweaty fellas’ plumage?</p>
<p>Books in burly hands in the privacy<br />
of their partners’ Micras, would these great<br />
Australian men wait quite so patiently<br />
for their girls’ return from the best of five<br />
Ann Summers’ lingerie party?</p>
<p> </p>
<p></em></p>
]]></content:encoded>
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		<title>Five-Nil &#8211; Melbourne ~ 4th Test Poetry</title>
		<link>http://www.ashespoetry.net/2009/07/01/five-nil-poetry-melbourne-4th-test/</link>
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		<pubDate>Wed, 01 Jul 2009 00:13:24 +0000</pubDate>
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		<description><![CDATA[The G, The MCG aka Melbourne Cricket GroundWarne, Shane Keith
born 13 September 1969 test match debut January 1992
Upon passing his seventh hundred test match wicket
(To the jig, The Sailor’s Hornpipe)
Warnie’s balls turn square, KP hit ’em in the air.
A six or out, there is no doubt.
You get a funny feeling one side’ll be reeling
Ev’ry time [...]]]></description>
			<content:encoded><![CDATA[<div><em><strong>The G, The MCG aka Melbourne Cricket Ground</strong></em><strong>Warne, Shane Keith</strong><br />
<em>born 13 September 1969 test match debut January 1992<br />
Upon passing his seventh hundred test match wicket<br />
(To the jig, The Sailor’s Hornpipe)</em></p>
<p>Warnie’s balls turn square, KP hit ’em in the air.<br />
A six or out, there is no doubt.<br />
You get a funny feeling one side’ll be reeling<br />
Ev’ry time Warnie’s balls turn square.</p>
<p>A leggie of Clarrie Grimmett’s accuracy (+ some hair)<br />
The wrong ’un, hard to pick, howzat when flummoxed through the air,<br />
The flipper and the toppie, zooter and the slider<br />
Plus the chatter: yells with looks, asides and pleas,<br />
(the only time the bloke’s down on his knees.)<br />
A Clarence Darrow George Carman at the crease,<br />
No umpire on earth however stoney could say no,<br />
Another baffled if reluctant victim tries to dilly-dally but he has to go.</p>
<p>Next-man-in’s almost out before he’s in.<br />
The legendary magician’s mesmeric legerdemain’s sure to snuff him.<br />
He knows he’ll have to face a flighty camisole tease:<br />
A sinner’s glimpse of fleshy orbed fruit rouged to tantalise<br />
Unveils a hirsute off-the-shoulder Australian hero’s chest<br />
Full of tricks the antipodean baccus of temptation doesn’t divest<br />
Before the silly fool with bat and pads knows he’s transgressed<br />
The blond cherubim’s spinning finger umps him to rest.</p>
<p>Warne, S. K., made his Ashes debut in 1993.<br />
A burgeoning waistline ever since indicates increasingly adequate social activity.<br />
Shoulder strapped, lucky charms, his daughter’s bracelet,<br />
The bald truth’s patently clear, he should really try to face it;<br />
Whatever schemes and dreams of schemes are whirling on within,<br />
The top of his head is not quite what it used to be.<br />
(In fact qua this rhyme, each attempted betting shop remedy to hold back follicular entropy,<br />
His pate, contra fullsome midriffs, pulls or appeals, is ready to turn woefully thin.)<br />
Harum-scarums with mobiles and diuretics,<br />
His simple way with words schtums clever-dick critics,<br />
Through thick and thin he’s always gone back<br />
To his mark: A three-card trick-sy four-step run</p>
<p>That flummoxed Fat Gatt with the ball of last century,<br />
At the lees of his career, the ikon’s tank’s pretty near empty.<br />
Lo, he gambols past Strauss, A. J., namely Seven Hundred<br />
And another One. (Parade-book poms mentioned in dispatches:<br />
A walk-on, walk-off part to line-up in honour of his last five-for.)<br />
Forget the waist and the hair or your age. Heed guru Terry Jenner’s old adage<br />
If you’re good enough, you’re old enough &#8211; Let him rip his ripper one last rip:<br />
We’re all sure to miss all its extra extra supradextrous wristily hot-digity extra<br />
mischievous zip.</p>
<p>Admidst chuntering trundling, The Grauniad&#8217;s Nietzsche-in-Chief<br />
Metaphysical Mighty Mike Selvey sniffs<br />
‘No game’s over till the fat boy spins.’<br />
I’ll buy that, gimme me one more, Skip.<br />
Good on yer, Warnie, hands ready on knees at slip,<br />
Rub haloes with Saint Richie<br />
At the end of any spell in the commentary box above.<br />
May it please Father Time<br />
To both Bless and Love<br />
How your balls turned square!</p>
<div><em><strong>V- 8 Batting</strong></em></div>
<p><em>aussie cars come with muscle for extra hustle<br />
to cover the ground across the states.</p>
<p>hear them burble, roar and hurtle<br />
past bystanders awash with their dust.</p>
<p>in Queensland they understand<br />
these unwritten rules of the road.</p>
<p>big blokes with big strokes<br />
smack the ball and keep the score</p>
<p>accelerating towards a vanishing point<br />
of vanquished oblivion</p>
<p>foot flat out down the wicket<br />
the Hayden-Symonds 279</p>
<p>has all the go you need to show<br />
a howling good motor</p>
<p>the poms innings defeat<br />
looms large in its rear-view mirror.</p>
<p></em></p>
<p><strong>Capitulation</strong></p>
<p>Ghosts of ghosts of ghosts. The moving hand<br />
Having writ will move on. Each stroke of the pen<br />
Is a mark to be recorded but not taken back.<br />
It is edgier than the blade.</p>
<p>The English batsmen, nothing to lose<br />
Having lost the greatest prize, play at playing.<br />
Their strokes not worthy of themselves<br />
nor their imagination. Out.</p>
<p>Bat under arm, an envelope sealed of a letter<br />
They never wished to write:<br />
An imposition in detention,<br />
It is signed, sealed and delivered.<br />
The long slow empty walk to a lost pavilion.</p>
<p>Ghosts of ghosts of ghosts,<br />
The originals swear under their breaths<br />
To weep real enough tears.</p>
<div><em><strong>Fifty Ways To Lose The Ashes </strong><br />
(after Fifty Ways To Leave Your Lover – Paul Simon)</em></div>
<p><em>It’s bad to be defeated<br />
All too easily.<br />
We travelled here with such high hopes<br />
To end in misery.<br />
It could have been much worse though how<br />
I cannot see.<br />
There must be fifty ways<br />
To lose the Ashes.</p>
<p>A negative strategy made it<br />
Harder to win,<br />
And by the same token opponents<br />
Reckon you’re about to give in.<br />
We bent right over<br />
So you could give our arse a good kicking,<br />
There must be fifty ways<br />
To lose the Ashes.<br />
Fifty ways to lose the Ashes.</p>
<p></em></p>
<p><strong>chorus:</strong></p>
<p>Play the Australians.<br />
Pick Geraint Jones<br />
Ahead of Chris Read.<br />
Don’t prepare for the Gabba,<br />
Ignore Monty Panesar,<br />
Madness at Adelaide,<br />
Led t(w)o the Waca.</p>
<div><em>Over a hundred thousand<br />
Have paid to be at the MCG.<br />
Even a fourth Aussie victory<br />
Will seem a little empty,<br />
Now there’s nothing we can do<br />
To make the series live again.<br />
A win is still a loss;<br />
You don’t need to use<br />
All those fifty ways.</em></div>
<p><em>Maybe it doesn’t matter<br />
If we go and lose five nil.<br />
We’ve already lost what we<br />
aimed to fulfill. We can’t change<br />
Those first three games,<br />
There must be fifty ways<br />
To lose the Ashes.<br />
Fifty ways to lose the Ashes.</p>
<p></em></p>
<p><strong>chorus:</strong></p>
<p>Play the Australians.<br />
Pick Geraint Jones<br />
Ahead of Chris Read.<br />
Don’t prepare for the Gabba,<br />
Ignore Monty Panesar,<br />
Madness at Adelaide,<br />
Led t(w)o the Waca.</p></div>
<p>No village green or country paddock,<br />
the mower misses the long grass wrapped<br />
around the roller and peeling sight screens<br />
pushed over for winter, benches tipped up,<br />
in brass-plated memory of Roger or Ethel<br />
who spent many a long afternoon<br />
eskie or thermos to hand and oblivion<br />
their world conversed by, yet reflected in the blank<br />
replay lcd switched off from instant history<br />
far above the swaying tree line<br />
in Section Gods of this immense roman gladiatorial<br />
arena past and future argue the toss with Janus<br />
who should put thumbs up or down. At the heart of it all<br />
lies an empty field; meadow hay scythed, grass grazed out.<br />
Twenty-two yards, wicket to wicket,<br />
tenth of a furlong, a chain<br />
to tie bat to ball, a landscape<br />
of former empire, medieval origins,<br />
acres ploughed through the mind,<br />
one hundred and five thousand assemble<br />
here to worship.</p>
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		<title>Five-Nil &#8211; Sydney ~ 5th Test Poetry</title>
		<link>http://www.ashespoetry.net/2009/07/01/five-nil-poetry-sydney-5th-test/</link>
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		<pubDate>Wed, 01 Jul 2009 00:11:33 +0000</pubDate>
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		<description><![CDATA[Harbour Bridge – 00 00 Monday 1st January 2007
Sydney
a city and land defined by sea, a far greater bridge:
Flinders’ circumnavigation barely left its moorings
from Donnington dominion. Seventy-five years
is nothing more than a life-time bearings.
Over and under, each passage changes yours
a fraction of a second or degrees more abruptly.
Switch clocks to a different time on the [...]]]></description>
			<content:encoded><![CDATA[<div><strong>Harbour Bridge</strong> – 00 00 Monday 1st January 2007</div>
<p>Sydney<br />
a city and land defined by sea, a far greater bridge:<br />
Flinders’ circumnavigation barely left its moorings<br />
from Donnington dominion. Seventy-five years<br />
is nothing more than a life-time bearings.</p>
<p>Over and under, each passage changes yours<br />
a fraction of a second or degrees more abruptly.<br />
Switch clocks to a different time on the far shore;<br />
the click of rail tracks, ferry boards and<br />
circular quay calendar make each journey<br />
a new year for someone far or near;<br />
Greek, Chinese, Korean, Indian, Mediterranean, Slav, Thai<br />
the city a pell-melled canteen of tongues,<br />
not just UK nor colonial Australia,<br />
an anglo-celtic nuptial ring,<br />
a two century skin to countless millennia<br />
of aboriginal lands: hard to come to terms with<br />
what Cook first saw when missing harbour<br />
or original cooks sixty thousand years earlier,<br />
each passage bearing changed their being.</p>
<p>Every one of us history.</p>
<p>Today<br />
after commissioned fireworks and similar paraphernalia<br />
are dustcarted and dumped without the trace of sulphur,<br />
the world becomes again what it was before,<br />
edged on a little further from its origins.<br />
Rail meets gunnel, steel the sea,<br />
Kirribilli, Neutral Bay, Karra Point,<br />
Mosman, Manly, Watson’s,<br />
Pyrmont, Balmain, Parramatta,<br />
all points compass Circular Quay.</p>
<p>Nothing’s left<br />
in the dark seasons’ wind, rain, flood<br />
tides and fogs, steamer horns stygian<br />
clatter trains anchor chains stretch rust<br />
knuckling the bridge under. Till there’s no memory<br />
of loss to see. No arch, no towers, only the initial trade<br />
from rock to rock to haul the heady scent of cargo;<br />
oils, ghosts of spices, wheat, sheep, cattle, carts,<br />
hides and fleeces, unwashed, chaffed, settlers too,<br />
awash within the pattern book of antiquity’s development<br />
the bridge paid its tolls to. Behind these knolls<br />
spectral churches ring in celestial didgeridoo.</p>
<p>From the mist<br />
watch the ferries dance their first footings<br />
to dawn’s indigenous tune.</p>
<div><em><strong>Stuart Clark</strong></em></div>
<p><em>Not that you’d notice him for seeing,<br />
the sort of bloke in the office<br />
who always comes to work on time<br />
to a tidy desk all parts done efficiently<br />
yesterday.<br />
Pays the drinks kitty and sweepstake<br />
promptly<br />
and tells the sharpest stories about the bosses<br />
secretly<br />
(not that you notice him for seeing.)</p>
<p>The sort of bloke troubled mothers of errant daughters<br />
pray they’d bring home and yet leave them well alone.<br />
That bank managers take to, perhaps trusting too much too.<br />
Eyes that remember distant birthdays and colours of others eyes.<br />
The sort of waiter you can ask what’s best on the menu,<br />
tip well, and instinctively say thank you to,<br />
and instantaneously forget in our ever-rushed lives<br />
too busy to notice him for seeing.</p>
<p>Nothing too complicated nor too much<br />
to do for others. As his arm comes over<br />
batsmen fear any minor deviations<br />
- not that you’d notice them for seeing.</p>
<p></em></p>
<p><strong>An Old Scorebox Operator Laments</strong></p>
<p>The game isn’t what it used to be,<br />
nor the creaking knees for climbing creaking stairs<br />
to ring the changes, today they score too damn quickly<br />
for me. Joints need regular lubrication and maintenance,<br />
mine, not just the machinery.</p>
<p>O how I yearn my Slasher MacKay<br />
and Bill Lawry. You could open, pour, lubricate a long cool one<br />
before they dreamt of hitting off the square. Put your feet up.<br />
O my MacKay and my Lawry of not so long ago!<br />
Maybe fifty between lunch and tea, maybe.<br />
Well-oiled by then, time enough<br />
to find the papers, makings,<br />
roll a gasper to inhale each ball<br />
safe in the surety it’d die on my lips</p>
<p>before they turned the old scoreboard over.</p>
<p>Last week they pinned a sign above my head.<br />
‘Living legends don’t smoke’ without mention<br />
to Boof or Warnie &#8211; two of the worst.<br />
Gilchrist, Symonds. Hayden and Langer<br />
started it all under the gimlet eye of Waugh.<br />
They score too damn quickly. Rickety<br />
old me ricketing up those rickety stairs,<br />
reels, numbers and boards. And sometimes<br />
I forget to move on the score;<br />
lost, staring at the beauty of it all.</p>
<div><em><strong>Thnx Justin, Glenn and Shane </strong></em></div>
<p><em>No tears in their eyes<br />
As they say their goodbyes.</p>
<p>Emotional men. Their passions controlled<br />
Their destinies to excel themselves<br />
For mates and their country.<br />
Weeping publicly is for Oscar ceremonies,<br />
Not the proud bearers of the Baggy Green.</p>
<p>Tears came alright<br />
At times of uncertainty, injury,<br />
Loss of form and controversy.<br />
They wussed from our eyes<br />
Alone, facing torment<br />
To achieve after failure.<br />
Each sob made us stronger,<br />
Bolder, harder, far older<br />
And yet more kind,<br />
Appreciative of hard yakka.</p>
<p>Thank you, Australia</p>
<p>No tear in our eyes<br />
As we say our good byes.</p>
<p></em></p>
<p><strong>Cartwheels </strong></p>
<p>Dad, spend more time with us.<br />
Pick up from school, act the fool,<br />
be the long one instead of mum<br />
when we don’t do what we should’ve done.</p>
<p>You’ve missed us, we’ve missed you.<br />
Watch us grow up,<br />
achieve the new.</p>
<p>Run, skip and dance<br />
from dreams and memory<br />
to your final match, here.</p>
<p>Born after you first tugged down<br />
the baggie green:<br />
stare beneath its brow<br />
at the games we play on the pitch,<br />
your last catch<br />
our farewell to you.</p>
<p>Shane, Glen, Justin<br />
your turn to watch,<br />
spectate, not make the spectacle.</p>
<p>Our turn to show<br />
what we can do,<br />
a little girl<br />
her blue dress cartwheel</p>
<p>Cartwheel Cartwheel Cartwheel.</p>
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		<title>One Day We Will Lose</title>
		<link>http://www.ashespoetry.net/2009/06/30/one-day-we-will-lose/</link>
		<comments>http://www.ashespoetry.net/2009/06/30/one-day-we-will-lose/#comments</comments>
		<pubDate>Tue, 30 Jun 2009 16:18:28 +0000</pubDate>
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				<category><![CDATA[Ashes Poetry 2006-7]]></category>

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		<description><![CDATA[On the eleventh hour of the eleventh day of the eleventh month we commemorate those lost in two world wars, the first of which was the war to end all wars. Poets write about war.]]></description>
			<content:encoded><![CDATA[<p>On the eleventh hour of the eleventh day of the eleventh month we commemorate those lost in two world wars, the first of which was the war to end all wars. Poets write about war. Homer’s Iliad is the story of Troy, the Trojan Horse, Paris, Achilles, and Helen the fairest of them all. Perhaps the first and only war to be named after a poet – the Homeric wars. World War One poets fired me to write poetry. Siegfried Sassoon, in particular: Mad Jack, country squire, homosexual and winner of the Military Cross. He fought, to be shell-shocked out, and then went back to the front because, though he loathed the conduct of World War One, Sassoon believed it was his duty to his men. As a poet he is an Archie Jackson to Don Bradman:-</p>
<div><strong></strong></div>
<p> </p>
<p><strong></p>
<blockquote><p>The Dug Out</p></blockquote>
<p> </p>
<p></strong></p>
<blockquote><p>Why do you lie with your legs ungainly huddled,<br />
And one arm bent across your sullen, cold,<br />
Exhausted face? It hurts my heart to watch you,<br />
Deep-shadow’d from the candle’s guttering gold;<br />
And you wonder why I shake you by the shoulder;<br />
Drowsy, you mumble and sigh and turn your head …..<br />
<em>You are too young to fall asleep for ever;<br />
And when you sleep you remind me of the dead.</em><em> </em></p>
<p>Siegfried Sassoon. St Venant, July 1918</p></blockquote>
<p>It touches me as much as it did then, nearly forty years ago, when I first studied it for O-level. Two years ago I attended the Armistice Remembrance Parade and service in Bakewell.</p>
<blockquote>
<div><strong>11th November 2004<br />
</strong>It’s Sunday morning, just beyond early light,<br />
the first frost sharp throughout, enough<br />
to strip each branch of their legion colours.</div>
<p>The sun shines low, a single clear signal<br />
to head a day of remembrance<br />
as Bakewell readies itself to remember.</p>
<p>The town marks time in its market square;<br />
shops, pubs, cars, ourselves near enough still<br />
as gravestones</p>
<p>till we leave.</p>
<p>Those with most to remember or forget<br />
let us follow, in train, behind the lines.<br />
Young lads in uniform, not quite in</p>
<p>or out of step. Their pudding girls grin<br />
at the parlour door, full lace prinnies<br />
ironed starched white, almost waving them off</p>
<p>lest they forget.</p>
<p>The bugler calls,<br />
so we march, and march; sing and sing.<br />
Commands barked against cold bare skin<br />
wreathed more than breathing a long held silence.</p>
<p>Names read out</p>
<p>Their letters addressed in order of dispatch,<br />
the last post and final delivery<br />
They did not rush to catch.</p>
<p><em>Did it matter if the sun shone<br />
when they went over the top? </em></p></blockquote>
<p>Earlier this year I met with Mark O’Connor, a fine Australian poet who took part in the Sydney Olympics – not running a sub-four minute sonnet, Mark was the Olympic poet, reviving a tradition where the muse was part of the ancient games but lost till 2000. Here is an Australian view of 1914-18.</p>
<blockquote><p><strong>Pozieres Cemetery</strong> (WW1 France)</p>
<p>- Our fathers: did they dream as yabbying boys<br />
on their farms in Deniliquin, Horsham, Scotshead, Yass,<br />
of so deep a subsoil waiting for their bones?<br />
. . . Instead two old men hobble down the rows<br />
dreaming of young men whom they knew; while honour and folly<br />
hold the ground under the gently piddling skies of France.</p>
<p>Written on The Somme, 1977 Mark O’Connor</p></blockquote>
<p>What’s this to do with cricket? Had the French and Germans taken the game at all seriously would it have prevented 1870, 1914-18, 1939-45? Difficult to prove, or disprove.</p>
<p>In all seriousness by the time you read this I’ll probably be wearing a t-shirt inscribed ‘I speak of bats, balls &amp; wickets’ at an Australian Test Match not near you in homage to Virgil&#8217;s kick-off line to his classical epic the Aeneid.<em> </em>It’s a way of telling people who I am and what I’m doing. The uniform of an Ashes poet in residence, in the same way cricketers wear whites, stewards florescent jackets or Tommies&#8217; khaki battledress.</p>
<p><a href="http://photos1.blogger.com/blogger/3867/3750/1600/tshirts.1.jpg"><img style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" src="http://photos1.blogger.com/blogger/3867/3750/400/tshirts.jpg" border="0" alt="" /></a></p>
<p>I’m not saying Freddie Flintoff and the Barmy Army would’ve finished off the Trojan wars inside three days, nor that injury-struck England on current form could do with Hector, Ajax, Achilles and Agamemnon on their side. More that cricket isn’t war. George Orwell said ‘sport is war without weapons’ perhaps because as Eric Blair he won a scholarship to Eton, with its regime of rugger, cold showers and the Eton Wall game – where the cream of the upper classes run straight into a brick wall. Deuced good practice for going over the top and running straight into a hail of machine gun bullets. You need leaders in those situations.</p>
<p>Jardine went to Eton. If sport is war without weapons, I think war is sport without love. Douglas Jardine led England on their notorious bodyline series, where within the laws of the game England bowled straight at Australian batsmens’ hearts &#8211; literally. Justification came from the same logic as the carnage of the trenches: it lay within the rules of war. Officer and a gentleman, leader of men etc etc but no sense of feeling, not even animosity. World War One and The Ashes were just something to be won.</p>
<p>The abiding image of last year’s series is Flintoff consoling Bret Lee at Edgbaston after losing two runs short of an amazing victory which would’ve all but kept the Ashes with Australia.</p>
<p><a href="http://photos1.blogger.com/blogger/3867/3750/1600/flintoff-lee.jpg"><img style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" src="http://photos1.blogger.com/blogger/3867/3750/320/flintoff-lee.jpg" border="0" alt="" /></a><br />
Sport is war with love because winning isn’t everything.</p>
<p>Who do you reckon will win? People ask me as though I might know. Don’t see how. I’m a poet, not a cricket correspondent, yet they do. And more interestingly they say ‘Don’t come back without the Ashes.&#8217; It means a lot to a great deal of people. Probably far more than poetry.</p>
<p>Their Premier’s XI stuffed us in Canberra, watched by Mark O’Connor amongst others. ‘Yes, I was there,’ he said, not needing to say more. Some would say that Howard’s selection for the PM&#8217;s XI is the best thing he’s ever done for the country. Could Graveney and Fletcher do worse than Brown and Blair? I couldn’t possibly comment, but note in the traditional equivalent fixture in England, the Australians play the Duke of Norfolk’s XI at Arundel (don’t ask why it’s Norfolk in Sussex.) Class, gentlemen and players, hearts of old England, play up, play the game. Yeoman stock Kevin Pietersen might reflect on duty and Sassoon to cut out the hook shot, but the signs are England have ferried their half-day international form from India to Australia.</p>
<p>One day we will lose. At least we’re consistent and consistency is everything, like they say about custard.</p>
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		<title>Sydney Day Four – Endings</title>
		<link>http://www.ashespoetry.net/2007/01/05/sydney-day4/</link>
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		<pubDate>Thu, 04 Jan 2007 23:46:31 +0000</pubDate>
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				<category><![CDATA[Ashes Poetry 2006-7]]></category>
		<category><![CDATA[Sydney]]></category>

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		<description><![CDATA[Defeat is all but inevitable. The crushing five-nil loss an ice-berg dwarfing the Titanic. But Professor Fiffle-Faffle has devised equipment to help England supporters in the one day games for the rest of the tour – The Rose-Tinted Raybans ]]></description>
			<content:encoded><![CDATA[<div>Defeat is all but inevitable. The crushing five-nil loss an ice-berg dwarfing the Titanic.</div>
<p>But Professor Fiffle-Faffle has devised equipment to help England supporters in the one day games for the rest of the tour – The Rose-Tinted Raybans</p>
<p>They turn blue caps into green, and green into blue – and they work for Australians too, as their team of world-beaters disintegrates before their eyes. A prototype has already been tested by the England team manager but alas he remains ever dismal.</p>
<p>The game is quickly over. Third ball Pietersen half-forward hangs his bat out to edge McGrath to Gilchrist. John Arlott once described a beaten batsman as looking like a Henry Moore statue. KP is one of those ghost buccaneers crewing The Black Pearl from Pirates of The Caribbean, all powers drained from body and soul.</p>
<p>England yet to score, Read calls Panesar for a quick single, Monty run out by a foot, failing to ground his bat as Symonds’ throw uproots off-stump.</p>
<p>My ticket states Obstructed Brewongle, which sounds too painful for words, so playing seat-hookey I’m surrounded by blokes in check shirts, the Paddington Chess Club, who don’t play chess. It is a means to secure bookings at pubs and clubs – chess players aren’t reckoned to wreck the joint or welch on bills. I see their point, thinking of the look I received at the desk of the Bowls Club Sydney (an honoured guest at the 23rd dinner of the Sydney Cricket Writers) when asked where I was staying in Sydney. Don’t think the Redfern Ex-Crims Association would find it quite as easy as the PCC to make bookings. Their Chief Oppo, King Louis and their blues singer Delilah sign my hat. I like the Paddington Chess Club, there is something of Guys and Dolls, Damon Runyon, about them. When I get back to Blighty must put them in touch with the Serious Cricket Watchers Society, of which I’m the founder member.</p>
<p>Couple of streaky fours, Read ct Ponting b Lee 4, “That’s how to do it, Justin,” his captain might say “Remember the next time you play.” England +20 for 8</p>
<p>Billy the Trumpet plays ‘Yesterday’</p>
<blockquote><p><em>Yesterday, all my troubles seemed so far away<br />
Now it looks as though they&#8217;re here to stay<br />
Oh, I believe in yesterday</em></p></blockquote>
<p>Half the problem with English cricket is a belief only in yesterday.</p>
<p>From about that time Billy goes into the Manfred Mann number <em>Pretty Flamingo</em>…</p>
<blockquote>
<div><em><strong>Win Back The Ashes</strong></em></div>
<p><em>Back home you’re sure to ask how we lost the Ashes<br />
Were our players not as good?<br />
Didn’t they play as they should?<br />
All quite true, doesn’t say why we lost the Ashes.<br />
Negativity wasn’t right<br />
It let them tonk us out of sight.<br />
It’s a dream all of Australia realised,<br />
We should try it, cos then we wouldn’t be so surprised<br />
At what might come true.</p>
<p>One sweet day we’ll learn how to win back the Ashes<br />
Then Australia will envy us<br />
Instead of saying we’re pretty wuss</p>
<p>Let’s fight back to win the Ashes<br />
Win back the Ashes.</p>
<p></em></p></blockquote>
<p>Mahmood lbw McGrath 4. Caught on the crease, not moving forward or back. My elder brother Daniel who nearly exploded yesterday because the English batsmen hadn’t learnt from earlier mistakes is probably seeking succour in eating his teatime sandwich as the end nears. (‘Teatime sandwich?’ Yes, Aussie Bloke, the Fines are incurable optimists, gluttons for punishment as well as nosh) England still + 20 but for 9</p>
<p>Drinks. Crowd Security stop Delilah singing the Chess Club song. As Peter White whose house in Redfern I’m staying in (where the first Prime Minister of Australia grew up, Bowls Club Sydney, please note) said this morning ‘It ends not with a bang but a whimper’ T S Eliot, I say. The Wasteland, we concur, apt for the current state of English cricket, and its writer’s name is an anagram for toilets, which more or less sums up summing up the cricket from an England perspective. I wrote a blues at Perth when the Ashes were finally lost</p>
<blockquote>
<div><em><strong>The English Ashes Hopes Blues</strong></em></div>
<p><em>We don&#8217;t need no Aussie Scoreboard to tell us the Ashes are gone.</p>
<p></em></p></blockquote>
<p>The Aussie version would start</p>
<blockquote>
<div><em><strong>The Australian Ashes Blues</strong></em></div>
<p><em>You don&#8217;t need no Aussie Scoreboard to tell you the Ashes are gone,<br />
But winning 5-0 doesn’t smack of triumphalism.<br />
You thought you were pretty good, but were up against the best<br />
Came here underprepared, and we just did the rest.<br />
You don&#8217;t need no Aussie Scoreboard to tell you the Ashes are gone.</p>
<p></em></p></blockquote>
<p>It’s Australia’s Day now. A few Harmie blows delay the inevitable, Anderson skying McGrath. England all out + 45.</p>
<p>Langer and Hayden come out to knock them off. At first it’s hard yakka. About as hard as the ball Harmison bruises Langer with. Justin must be thinking ‘No more analgesic sprays, ice-packs, and tenderness turning over in bed.’</p>
<p>‘It’s an absolute privilege and honour to wear the baggie green cap one hundred and five times and I’ll really miss it,’ he says at the ceremony afterwards, and his cap is about old and faded as Steve Waugh’s.</p>
<blockquote>
<div><em><strong>When this Ashes Tour is Over</strong> (tune of What A Friend We Have In Jesus)</em></div>
<p><em>When this Ashes tour is over<br />
No more cricketing for me,<br />
I shall put my commentator’s mike on<br />
To give expert summary on tv.</p>
<p>No more ducking Stevie Harmison,<br />
No more edging Hoggie over the slips,<br />
I shall kiss the gold of my green baggie,<br />
God, I’ll miss this whence it leaves my lips.</p>
<p></em></p></blockquote>
<div><em>(Sung with great feeling and Welsh choralness A modification of the lyrics of When This Lousy War is Over, from “Oh What A Lovely War”; Joan Littlewood, based on the original hymn by Joseph Scriven “What A Friend We Have In Jesus”)</em></div>
<p><em>‘It could go into the afternoon,’ I say to the bloke from Perth, who remembers Langer’s father, a good West Australia player too. ‘I hope not,’ he replies.</p>
<p></em></p>
<p>On cue Hayden on-drives Mahmood for six, and after a consultation with his opening partner to determine who shall have the honour of it, off-drives the winning hit. The crowd go crazy, in the middle they remove helmets and embrace like long-lost brothers after a hard-fought war has ended in victory.</p>
<p>The crowd stay behind to celebrate the 5-0 Strinewash, and the end of three great players’ careers. “Thnx” says the text painted in the turf</p>
<blockquote>
<div><em><strong>Thnx Justin, Glenn and Shane</strong></em></div>
<p><em>No tears in their eyes<br />
As they say their goodbyes.</p>
<p>Emotional men. Their passions controlled<br />
Their destinies to excel themselves<br />
For mates and their country.<br />
Weeping publicly is for Oscar ceremonies,<br />
Not the proud bearers of the Baggy Green.</p>
<p>Tears came alright<br />
At times of uncertainty, injury,<br />
Loss of form and controversy.<br />
They wussed from our eyes<br />
Alone, facing torment<br />
To achieve after failure.<br />
Each sob made us stronger,<br />
Bolder, harder, far older<br />
And yet more kind,<br />
Appreciative of hard yakka.</p>
<p>Thank you, Australia</p>
<p>No tear in our eyes<br />
As we say our good byes.</p>
<p></em></p></blockquote>
<p>Warne and McGrath – I want to write Shane and Glenn, but I don’t know them, and more the point, they don’t know me – pose with their kids for the media. You can see that Shane will always be a kid. I think how important the Ashes are to both countries. In establishing Australia as a nation. Her first prime minister, Edmund Barton, brought up his first three children in the house where I typing this. Perhaps in a room which was a nursery. Australia as a state didn’t exist till 1901. Before then it was a set of separate states, and to bring them together was a hard-fought effort, certainly harder than the current series, which began in 1882. Cricket and the Ashes helped form Australia – and continues to do so. Will it help the development of England?</p>
<p>The ceremonies continue, where all pay homage to the support of the Barmy Army (What about your Fanatics, Australia?) with Captain Andrew Flintoff going over to bow to them.</p>
<p>Oblivious children of the Australian players gambol and frolic on empty parts of the paddock. I think of my own childhood, parents and also Freda, my brother Paul’s partner, her friends and family, grieving her sudden loss on Christmas Day. Her funeral is today. Think of her in heaven looking down upon us, smiling.</p>
<blockquote>
<div><em><strong>Cartwheels</strong></em></div>
<p><em>Dad, spend more time with us.<br />
Pick up from school, act the fool,<br />
be the long one instead of mum<br />
when we don’t do what we should’ve done.</p>
<p>You’ve missed us, we’ve missed you.<br />
Watch us grow up,<br />
achieve the new.</p>
<p>Run, skip and dance<br />
from dreams and memory<br />
to your final match, here.<br />
Playing games on the pitch<br />
our farewell to you.<br />
A blue dress cartwheel<br />
our turn to show<br />
what we can do.</p>
<p>Cartwheel Cartwheel Cartwheel.</p>
<p></em></p></blockquote>
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		<title>Sydney Day Three – life goes on</title>
		<link>http://www.ashespoetry.net/2007/01/04/sydney-day3/</link>
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		<pubDate>Wed, 03 Jan 2007 23:49:09 +0000</pubDate>
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				<category><![CDATA[Ashes Poetry 2006-7]]></category>
		<category><![CDATA[Sydney]]></category>

		<guid isPermaLink="false">http://ashespoetry.orangeleaf.org/?p=173</guid>
		<description><![CDATA[Everything went well. No queues of Balfour's chicken and veg pies, straight into my seat in the Doug Walters ash-tray to watch Hussey edge Anderson to Read. Gilchrist nabbed five in the first innings, and three to Read makes eight out of fifteen snaffles to the keeper. Are we on for a world record? ]]></description>
			<content:encoded><![CDATA[<div>Everything went well. No queues of Balfour&#8217;s chicken and veg pies, straight into my seat in the Doug Walters ash-tray to watch Hussey edge Anderson to Read. Gilchrist nabbed five in the first innings, and three to Read makes eight out of fifteen snaffles to the keeper. Are we on for a world record? Have to put it into the Frindaliser, though what it means in terms of cricket, apart from Langer&#8217;s contribution of three drops, I&#8217;m not sure. Perhaps that the wicket is that little bit bouncier than the batsmen reckon.</p>
<p>The Branson pickle Ashes farrago continues. In this morning&#8217;s SMH is a story about a couple who flew Virgin to watch the cricket only for Virgin to mislay their luggage (<em>&#8220;If you poms keep losing the Ashes, not surprising your airlines lose luggage.&#8221;</em> Aussie Bloke) It happens, Virgin paid for couple to buy some clothes to cover the hiatus, but couldn&#8217;t find cricket tickets which the couple put in their stowed baggage &#8211; until the SMH published (<em>&#8220;More fool them,&#8221;</em> says Aussie Bloke, <em>&#8220;best sewn into your undies if they&#8217;re not in the Bank of England soap-dish deposit box.&#8221;</em>)</p>
<p>Now it gets interesting. An unattributable source your intrepid Ashes poet in residence met this morning said Sir Richard Pickle wanted to make the announcement at tea on the centre of the hallowed turf. Apart from clashing with the Boonie/Beefie drag races, it&#8217;s just not cricket &#8211; where Australia are 236 for 5, after fortyfive minutes, Gilchrist already 29 in the mood to Waca Waca. Panesar pegs back progress beating Symonds in the flight, clean bowled 48, 260 for six.</p>
<p>Warne sweeps the next ball for four, then six, not out off a glove when he was, and &#8230;..Australia cruise past England&#8217;s 291 with 14 off a Harmison over, two overs to go before the new ball. Throughout this series England have sought to defend rather than attack with the old ball, a reversal of their approach in 2005. Australia have scored at about two runs a minute during the last half-hour.</p>
<p>I try to defend the MCC retaining the Ashes Urn with the Aussies behind me. &#8216;Awe, we should have them, just to piss off you guys.&#8217; I imagine something of the same attitude exists at Lords.</p>
<p>Billy The Finger Bowden saws off Gilchrist&#8217;s legs caught behind when the noise was the bat hitting the ground, not the ball 318 for 7</p>
<blockquote><p><em>Billy Bowden<br />
Pulls the crowd in<br />
With extravagent gesture<br />
And the crook of his index finger</em></p></blockquote>
<p>Another keeper&#8217;s victim, the Frindaliser whirrs &#8211; straight through after lunch Flintoff gets Lee ct Read, 10 dismissals out of 18. Warnie reaches his fifty, still to get a test match century. The Barmy Army make as much noise as they can but &#8216;Warnie, Warnie&#8217; reverberates around the SCG when he gets to his fifty, a lacing off-drive off Anderson.</p>
<p>Panesar goes round the wicket, Warne hits to point, practices the shot, and then places again just fine of point for four. Couldn&#8217;t England guess what was going to happen?</p>
<p>Clark skies Mamood for 38. 398 for 9</p>
<p>Enter the Gatorade truck to a standing ovation. McGrath joins Warne in a last stand effort of legends to get Warnie his maiden century. Warnie flip-flops down the pitch to Panesar, stumped the length of Bondi Beach by Read top score 71. Australia 398, another stumper victim. Eleven in the match to date. The Frindaliser, having frindled, Frindles on.</p>
<p>England start at -102 for none. Clarke top-edges Bing Lee for a skier -97 for none. Strauss ducks his head into a Bing bouncer and falls to deck. He seeems okay, readers, thank God they wear helmets.</p>
<p>Strauss lbw Clark 24, England -47 for 2</p>
<p>Bell ct Gilchrist b Lee 28, England -38 for 3. A needless flash, the Frindaliser whirrs.</p>
<p>Pietersen and Collingwood try to steady the ship without becoming becalmed. McGrath bowls eight overs, six maidens, none for six. Pietersen changes bats, has he ever been out to Stuart Clark, who induces Collingwood to edge to Hayden in the Gulley for 17, England -4 for 4. Pietersen and Flintoff at the crease, shades of the end at the Waca. The Frindaliser is unmoved.</p>
<p>Flintoff is stumped millimetres out of his ground off Warne for 7. England +11 for 5 in real money. Superb piece of work by Gilchrist, the Frindaliser goes into orbit.</p>
<p>Panesar comes in as a nightwatchman. In many ways the best day’s cricket of the series.</p>
<blockquote><p><strong>An Old Scorebox Operator Laments</strong></p>
<p>The game isn’t what it used to be,<br />
nor the creaking knees for climbing creaking stairs<br />
to ring the changes, today they score too damn quickly<br />
for me. Joints need regular lubrication and maintenance,<br />
mine, not just the machinery.</p>
<p>O how I yearn my Slasher MacKay<br />
and Bill Lawry. You could open, pour and drink a long cool one<br />
before they dreamt of hitting off the square. Put your feet up.<br />
O my MacKay and Lawry,<br />
Maybe fifty between lunch and tea, maybe.<br />
Time enough to find the papers, makings,<br />
roll a gasper to inhale each ball<br />
safe in the surity it’d die on my lips</p>
<p>before they turned the old scoreboard over.</p>
<p>Last week they pinned a sign above my head.<br />
‘Living legends don’t smoke’ without mention<br />
to Boof or Warnie &#8211; two of the worst.<br />
Gilchrist, Symonds. Hayden and Langer<br />
started it all under the gimlet eyes of Waugh.<br />
They score too damn quickly. Rickety<br />
old me ricketing up those rickety stairs,<br />
reels, numbers and boards. And sometimes<br />
I forget to move on the score<br />
staring at the beauty of it all.</p></blockquote>
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