Lully, lullay, thou little tiny child
By by, lully lullay
O sisters too, how may we do
for to preserve this day
this poor youngling for whom we do sing
by by, lully lullay
Herod the king in his raging
charged he hath this day
His men of might in his own sight
all young children to slay
That woe is me, poor child for thee!
and ever mourn the day
For thy parting neither say nor sing
by by, lully lullay
This is the Coventry Lullaby, a medieval plain song. No ordinary lullaby, it recounts the Biblical story of Herod slaughtering all infants lest one of them was Jesus.
It does more than this. It is the song or hymn you may sing when a baby has died. In the middle ages infant mortality was hundreds times higher than now; you may not have named a child for fear of it dying and their name bringing greater hurt. In church or at home the Coventry Lullaby would be sung as the last lullaby a mother might sing to her child.
I was born in Coventry, left when three and never returned. Losing one-nil at home to Swansea after a missing a first half pen hurts a tad. Though it is the Sabbath, here endeth the sermon.
What a day. Below’s the Tweet by Tweet Commentary, and everyone got into the idea that they were standing next to the Ashes poet on the day of a great Ashes victory. I became more barmy than the Barmy Army as the Tweets show with Boycs and Sean Ruan being clasped to the copious bosoms of the fat lady before she lets rip. I started when next door neighbour Bob’s mate blackberried him from Dubai for a ‘a dirty limerick starting “There once was a man from Tasmania.”‘ I assumed he meant the Australian cricket captain, who doubtless must have felt he could well lose his marbles as well as the Ashes. I dictated and Bob blackberried back ….
“There once was a bloke from Tasmania
Done for kleptomania.
Amongst his stashes
Was an urn of ashes
“M’Lud, I’m a failed Australian cricketer.”
The Wicket-Taker (aka my mobile phone) came in handy for England’s cause. Having fired out Punter in the first innings when Matt Barlow from Radio Derby rang, and countless pithy texts from Laurel at home, the squidge and the bum were starting to come together. ‘I could ring up home,’ I said to Bob, ‘that could us take a wicket.’ (The usual ploy is to send the group nerd to buy the four pint max because a wicket always falls when you’re not watching – wrong, wrong, wrong, wrong; you shouldn’t entrust such a vital task to the team idiot, he’ll spill the beer and not take a wicket.) As I flipped open the phone (it’s Laurel’s cast-off twice removed) Freddie’s arm triggered back and once it clicked into place, crack, the sling-shot left his hand. The Wicket-Taker does Punter again!! The rest is history. We could start to relax. At tea I went to the Gents, waited in line for a space between two other gents, looked upwards towards the welkin while nature took its course ( I know ‘Our aim is to keep these facilities clean; your aim will help too’ but see Drink Less, http://www.youtube.com/watch?v=QbR2HivqRoM I’d not touched a drop, I was plenty high enough on just the excitement of it all) when, blow me down, Sean Ruane came blasting straight down my right lug -ole. Is there no escape? In my Room 101 he’d be the first to take the drop, and as I’m a medieval archaeologist (yes, they’ve carbon-dated my prejudices) it’d be the most Baldrick of cess-pits.
Perhaps I’ve been a bit unfair on the geezer. It isn’t his fault there doesn’t seem to be any artistic direction to the song and dance programme, (except you’re not allowed to dance at The Brit Oval, unless you’re Mark Ramprakash, who of course walks on air for Surrey) it’s good publicity and as Bill Bryson said ‘I’ll write anything to keep my kids in Reeboks’ (’Did Reeboks pay you for your gratis product placement, Bill? Missed out there, and if you didn’t advertise for Reeboks for free in the first place the rest of us wouldn’t have our nippers in our lugholes giving it some gbh for gratuitous foot candy.) Where were we? I’m sure Sean gets at least as tired of belting out Jerusalem, breakfast, dinner and tea as I of hearing it. “One song, you’ve only got one song” So I’ve written a new one for him … Or rather adapted an adaption of a standard, namely ‘What a friend we have in Jesus.’ Beautiful tune, dreadful lyrics, like too many hymns..
Sean’s Song
When this Ashes Test is over
No more joy or misery
Let’s shake hands with erstwhile strangers
We’ll cherish present company
No more pints of polite clapping
No more shouting out for more
Shake hands with those beside you
They’re your neighbours from next door
Sung with great feeling and Welsh choralness
A modification of the lyrics of When This Lousy War is Over, from “Oh What A Lovely War”; Joan Littlewood, based on the original hymn by Joseph Scriven, What a friend we have in Jesus
Back on Planet Oval, Hussey’s ton (the most valiant of knocks) at 300-5 makes the cleft between squidge and bum start to get sticky again, “Don’t lose another before stumps will probably mean 150 to knock off with 5 wickets left.” Around me faces drop at the npower Ashes poet’s words. He has spoken the unthinkable, thought the impossible, Australia might win!!!!! “Think about it, just behind the favourite in a two horse race. You wouldn’t mortgage everything on that, would you?” It starts to sink in. I hear the pneumatic drill compressors of the Albion Underground Southern Extension running from Lords to Oval via Australia start up “Albion Underground regrets to announce all services on the Victory Line are suspended until the ends of time … see also http://www.ashespoetry.net/2009/07/19/albion-underground/ Then Brad Haddin two-steps to Swann, welts it welkinwise only to drop in the kangeroo pouch mitts of steely skipper Sir Andrew Strauss. At two in the morning all the lights went out throughout Australia, the Southern Cross the only ones remaining.
The stewards steward themselves into end-of-match mode, and I start finishing my last poem, one which worked whichever team won. Don’t necessarily expect celebration just because I’m a pom – it’s an Ashes poet in residence, not the England team poet or the Australian team poet. I’m not the first Ashes poet in residence. That title and honour goes to whoever wrote the poem on the urn, (’ the fourth verse of a comic ode published in the Melbourne Punch on 1 February 1883: http://www.lords.org/latest-news/news-archive/ashes-countdown-the-urn,1373,NS.html. which Lady Clarke (not Stuart or Michael) affixed onto said urn)
The DIY Ashes Poem
When Ivo goes back with the urn, the urn;
Studds, Steel, Read and Tylcote return, return.
The welkin will ring loud
The great crowd will feel proud
Seeing Barlow & Bates with the urn, the urn
And the rest coming home with the urn
the urn, the urn, the urn
I’ve added an extra line in italics since the rhythm doesn’t work with the verse all on its own. (A quick ECB-approved level one and five-eighths cricket poetry coaching session in basic poetic techniques – repetition:- Welkin is sky, turned into a bell, (not Belly) which of course needs to ring, hence the repetition of the urn, the urn to make the sound of a bell, redoubled with return, return – simple and effective, and clearly aiming to link onto verse five.)
If you want your very own Ashes poem all you have to do is take the version below and substitute in the gaps who you like for the names of these old players. I’m sure they won’t mind, in fact honoured that you’re thinking about them. I’d suggest using surnames rather than first or nicknames, since it ties into the original language, and also check that the rhythm still works, (read it out loud is best) so that’s where nicknames come in – to shorten Collie for Collingwood, but lengthen Strauss to Straussie since he’s Captain, like Ivo, and everyone can join in the extra line as a chorus, the urn, the urn, the urn!
When Straussie stands proud with the urn, the urn;
, , and return, return.
The welkin will ring loud
The great crowd will feel proud
Seeing & with the urn, the urn
And the rest coming home with the urn
the urn, the urn, the urn!
Not too many takers down under, I imagine and the MCC may well alter The Laws of Cricket to allow strangulation with a bacon and egg tie of Ashes poets for playing fast if not loose (if you stand fast you can’t be loose, surely?) with the old stuff. (I’m not the MCC poet in The Long Room either)
‘A tear of victory ran down my rosy cheeks’ says daughter Laurel. ‘Yep,’ I reply ‘Nearly takes the edge off Cov losing against Swansea at home yesterday.’ (As my eldest brother said when we won the FA Cup in 1987 ‘There is nothing else to live for.’) We celebrate with Jake’s fudge at the ground, and back with family the toast :”To the urn and long may it remain in perfidious Albion” with the best bottle of Australian bubbly we could find, and I have to say it tasted better than most champagnes. On Channel Five Straussie and Freddie each say how they “couldn’t find the words” to express how they felt. Ricky Ponting could. The penultimate sentence of the last poem are his, and his alone.
Ashes
To the victor the spoils
To losers, desolation
Dark doors darken dark doors
Shuts out welkin light
Puts wood in hole, shafts
Of night shadows the clacked
Clappered tun of celebration
Wrings, wrings the pain and din
Until the black tattoo stops beating
Bleak timpani within each ear’s dismal drum
Before blood dangles ruby red from each lobe
A mute sign that you are dead. It can’t hurt
anymore than this, that’s for sure
Which sets you out to win
David Fine
Lully, lullay, thou little tiny child
By by, lully lullay
Tweet-by-Tweet Commentary
00000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
00000000000000000000O Broad bowls maiden over
0-78 Swann makes one turn and bite which almost edges Katich’s bat, but soft-handed angled blade keeps it down and safe. Well played both
1-86 Kadich LB Swann YeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeesssssS! Enter Ponting – remember Old Trafford 2005
2-90 Watson LB Broad 00000000000000000000000000 YeeeeeeeeeeeeeeseesssssS! off edge, even better, poor bloke umpire sawn him off both innings
102- 2 Ponting pulls Broad 4, so good liquid chronometer quick-silver footwork makes Ramps leaden-footed, eat the bones out of that, Tuffers
2-115 Time for bowling change Billy trumpets 1st trill, Australia more interested in Great Escape. If pitch breaks up they could tunnel out
2-171-2 375 still needed at lunch. Ponting and Hussey look as solid as the Great Barrier Reef. It’s do-able. HMAS Neilometer up periscope…
Warnie bowls leggies for grommits in training vid over lunch 1st ball clips top of off, in a way + sensational than Fat Gatt’s splat Legend
2-184 – Punter edges Swann, Collingwood fingers & feet nearly make hard chance a catch Green Baggies raise themselves by Collie’s bootstraps
2-203 A ghost of Barbadian barracker yells basso profundo ‘C’mon, Broadie, Gi’ ‘im di Ashes Ball’ HMAS Neilometer preparing to snorkle.
3-220 Super Centaur Gammy Knee Freddie Flintoff Gary Pratts The Punter 4-220 Fast Action replay Clarke Green Baggies hopes fast running out
“To lose the Ashes once by one run-out is unfortunate, Mr Ponting, but by two and twice is carelessness (From The Importance of being Punter)
4-228 Collingwood drops Nussy (both left-handers) but not relevant in great scheme of things (England’s best fielder in his worse position)
5-236 & so it proved North stumped Prior (glovework Oldfield Tallon & Grout would die for: Nussy was North by the way) Delay tea-time gasper
5-255 Not that Australia are Wigan – Wigan are far better. This is known in Oz as cutting tall poppies. Man U & C + Oz fall to grim reaper.
283-5 Tea interval more interesting than play Couldn’t even escape canned Sean Ruane in the communal kludgie When the fat lady finally sings
Clasp the little eejit to your commodious bosoms & swaddle his napper tight till he finally expires What a way to go, boys, what a way to go
Eejit minor is now singing english folk made famous in At last the 1948 show with Cleese, Miller, Bennett (ex Cantab footlights) I’ve got a
ferret up my nose, how it got there I don’t know, but now it’s there it hurts like hell. I’ve got a ferret up my nose. Pick the bones out
of that, Stephen Fry (I’m an Oxford man) O yes England drop three catches in a row (Betting Scam for 12.47am finish I wagered myself this a.m.
5-300 Hussey 100 Superb knock for a bloke right out of form It becomes interesting again You bloody beaut he shouted Ashes Regained at Perth
5-311 Brett Haddin guides Anderson through slips, blade a moorish scimitar through the harem’s veil. He’s just old pro playing out the cons.
5-320 Don’t lose a wicket by stumps it’s 400 and 150 to get with five blokes remaining, which would make Aussies close to favourites
7-327 Johnson edges Harmison’s off-cutter(!?!) to Collingwood who at last catches one in front of first slip. Poss/Probably all over tonight
in a two horse race 6-327 Haddin chasses, swipes skies to Strauss You’ve just welkined the Ashes Brett, u bloody beaut. Hussey stands alone
Sir Geoffrey talks to Sir Geoffrey Ah keep sayin wikkits coom in pairs, then, boom-boom, like lots of things – doo-dahs when fat lady sings.
8-343 Siddle skies Harmie who cares who caught it except it was Freddie. 9-343 Clark pouched Cook short-leg, hat-trick, no, all on feet
mainly mine. Neilometer says ‘Send in nightwatchman.’ Too late, mate, you just have. Hussey stands alone
10-348 Swann bowls to Hussey caught silly mid-off not too silly after all Let the welkin ring ring with their names the Ashes are ours again